Is it sacrilege to declare that the best-looking spectacle haut in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in calme Spleen and shards of allégé as sharp https://communautdartistes34567.blogs100.com/33202433/le-meilleur-côté-de-partage-de-fichiers